Whoops, forgot to post about this earlier, but today you can watch Richard Strauss‘ Ariadne auf Naxos online, the first live-stream of the 2013 Glyndebourne season at 1:55 east coast time. I’ll be more on top of subsequent webcasts from Glyndebourne (also, this is my first Strauss post? yikes!).
The last full opera performed in American Lyric Theater‘s InsightALT opera fest is Jorge Sosa‘s “La Reina”, about a Mexican drug queenpin, performed on Monday at 7pm (buy tickets here). You can actually hear a sample aria on Sosa‘s site (under “listen”), so good way to prep. Here’s ALT‘s trailer for the new opera:[youtube http://www.youtube.com/watch?v=4e61G9S78yw&w=350&h=300]
This actually reminded me of another Mexican composer’s chamber opera about a lady drug trafficker: Gabriela Ortiz‘s “¡Unicamente La Verdad!” (“only the truth”), premiered in 2008 at Indiana University and recently performed at Long Beach Opera, California. This video is from the 2008 IU performance:[youtube http://www.youtube.com/watch?v=wf_3LgoOpCI&w=350&h=300]
Continuing with this week’s InsightALT festival for new opera, first comes the news that all events, starting with tonight’s master-class with soprano Catherine Malfitano, will be live-streamed here, by Opera Music Broadcast. Not sure what the relation between the two is, but American Lyric Theater‘s YouTube channel does have lots of full video of past events, so guess it’s legit! On the other hand, you can still buy tickets here!
Anyway, the first opera performed this week is by Justine F. Chen, on Thursday at 7pm (PS: happy last week of APAHM!). Her opera is The Turing Project, about computer science pioneer Alan Turing. Any operatic depiction of science should be interesting, and Justine has actually gone to that well before for American Lyric Theater, as evidenced by this one-act opera, “On the Origin”, about Darwin:[youtube http://www.youtube.com/watch?v=ycabM18s5lQ&w=350&h=300]
This was created as part of American Lyric Theater‘s Composer Librettist Development Program, pairing composers with writers for a pretty fun-sounding curriculum on the words & music collaboration… If any of my readers are interested though, you’ll have to wait until next year to apply : P
To prepare for Thursday, you can also visit Chen’s site for some audio samples of past works, including operas, monodramas, and songs.
Next week is InsightALT, American Lyric Theater‘s mini-fest of new opera. The centerpiece of the event are three concert readings of new operas, running the thematic gamut of Alan Turing, war vets returning home, and a Mexican drug “queenpin”. Click here for full descriptions, and a special code for $5 off single tickets!
The composers being featured are Jeremy Howard Beck, Justine Chen, and Jorge Sosa (triple J’s, nice), a pretty diverse crew, which is nice to see in the world of opera. Today I’ll start with Jeremy Howard Beck.
MASSIVE EDIT: Turns out there are two composers named “Jeremy Beck” and the one in InsightALT is Jeremy Howard Beck. I feel like an idiot, but seriously, what are the odds! Well as it turns out, they’re pretty high… Anyway, here’s my revised post:
Based on the memoir of the same name by Brian Castner, former Explosive Ordnance Disposal unit member in Iraq, The Long Walk is about veterans’ struggles on adjusting to life back home after returning from war. Should be interesting stuff…
Here’s a performance of Beck‘s 2009 piece Awakening, by it’s commissioners, trombone quartet The Guidonian Hand. A trombonist himself, Beck says the piece was inspired by the then-recent passing of Proposition 8 in California (overturning the legalization of gay marriage there) and its concurrence with the Jewish high holidays, with their use of the shofar horn.