Sendak at the Society, and at the Opera

Poster for Maurice Sendak exhibit at the Society of Illustrators

Maurice Sendak exhibit at the Society of Illustrators Copyright the Estate of Maurice Sendak

Tomorrow night at 7pm is the opening for an exhibit on Maurice Sendak at the Society of Illustrators.  You may have seen the Google Doodle for his 85th birthday a few days ago, though the animation didn’t work on my computer…

As I’ve mentioned beforeSendak also designed for opera pretty extensively, including five operas for the Glyndebourne summer opera fest in England.  Glyndebourne’s Archive has a page devoted to Oliver Knussen‘s operatic adaptation of Sendak‘s Where the Wild Things Are, the final version of which they premiered in 1984.  But for today, here’s the 1987 Sendak-designed production of Maurice Ravel‘s (first name twins!) one-act L’Heure Espagnole:


For hours of fun, check out Glyndebourne‘s performance database.



To follow today’s Studio YOLO post, let’s have anothervariations on a theme“-themed day.

The Prix de Rome was an annual award for French artists to study in Rome for a year first set up by Louis XIV in 1663(!), though the award for composition only started in 1803, lasting 165 years until 1968.  One of the tests for applicants was to set a chosen text to music.


I first learned about these Prix de Rome cantatas through Berlioz, who created 4 such cantatas before finally winning a joint award in 1830 with a score he later destroyed.  La Mort de Cleopatre is the most popular of these cantatas nowadays, even though no first prize was awarded that year; it’s sung above by soparno Dame Gwyneth Jones.  Naxos has a CD with all four of these cantatas, available here

I was having a hard time finding multiple setting of any one text until I finally found two records of two settings of the 1901 text, Myrrha.  First off is the winning composition by someone totally new to me, André Caplet, available on another Naxos CD of Prix de Rome cantatas by Caplet, Ravel, and Debussy, all part of the same turn-of-the-century artistic milieu.

Ironically, the third place winner is much better known these days…  Here is part of Maurice Ravel‘s setting of the same text, and a link to a second part.


Reading lists of art award recipients years after the fact is always interesting…  Makes you wonder how good time is at weeding out artists and how many people are unfairly neglected…  I guess that’s why I like musical archaeology, rediscovering forgotten artists and fleshing out our understanding of their time period…  ANYWAY.  Enjoy your Sunday!